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George Takei Delivers Keynote Address at Commencement for UCLA Luskin Graduate Students The pioneering actor, bestselling author and advocate for human rights spoke at a June 10 ceremony for the School’s master’s and doctoral students

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Actor, social justice activist and bestselling author George Takei gave the keynote address at the 2022 commencement ceremony for graduate students at the UCLA Luskin School of Public Affairs.

With decades of success on screen and stage, along with a natural eloquence and sharp wit, Takei has used his platform to advocate for civil rights and LGBTQ equality, and to educate his audience about U.S. internment camps for Japanese Americans, where he and his family were held during World War II.

Takei’s commencement address took place inside UCLA’s Royce Hall at a ceremony beginning at 9 a.m. on Friday, June 10. Master’s and doctoral degrees were conferred on the Luskin School’s public policy, social welfare and urban planning graduates.

“George Takei is a pioneer,” said Gary Segura, dean of the Luskin School. “His life story is one of perseverance amid the darkest forces of discrimination. Not only did he prevail, he used his voice to speak out on behalf of others facing deep injustices.”

Takei, who earned bachelor’s and master’s degrees in theater at UCLA in the 1960s, has appeared in more than 40 feature films and hundreds of television roles. He is best known for his role as Lt. Hikaru Sulu in “Star Trek,” the groundbreaking sci-fi series that featured a multiethnic cast and a plot centered on peace among all peoples.

Takei is also the author of several books, including the New York Times bestselling graphic memoir “They Called Us Enemy,” released in 2019. The book gives a wrenching account of the thousands of Japanese American families, including his own, who were uprooted from their lives and forced into internment camps after the attack on Pearl Harbor in December 1941. Takei also inspired and starred in the Broadway musical “Allegiance” about his family’s experience under internment.

Long an activist in the Asian American community, Takei is chairman emeritus and a trustee of the Japanese American National Museum, and has served as cultural affairs chairman of the Japanese American Citizens League. Former President Bill Clinton appointed him to the Japan-U.S. Friendship Commission, and the government of Japan awarded him the Order of the Rising Sun, Gold Rays with Rosette, for his contribution to U.S.-Japanese relations.

A leading advocate for LGBTQ rights and marriage equality, Takei has served as the spokesperson for the Human Rights Campaign’s Coming Out Project. Takei and his husband, Brad Altman, made television history in 2009 when they became the first gay couple to appear on “The Newlywed Game.”

Takei has an enormous following on social media, which he uses as a platform to share his humor, weigh in on current events, and advocate for civil and human rights.

Among his current media enterprises is the web series “It Takeis Two,” which takes viewers into the personal lives of Takei and his husband. He also hosts the AARP-produced YouTube series “Takei’s Take,” exploring the world of technology, trends and pop culture, and is the subject of the documentary “To Be Takei.”

Learn more about the 2022 Commencements at UCLA Luskin.

Delving Into the Archives of Japanese American Incarceration

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Urban Planning Professor Karen Umemoto was featured in a UCLA Newsroom article about an undergraduate course focusing on the mass incarceration of Japanese Americans during the 1940s. Eighty years ago this month, President Franklin Delano Roosevelt issued Executive Order 9066 after the United States declared war on Japan and entered World War II. The order sent nearly 120,000 people of Japanese descent, branded suspicious solely by virtue of their heritage, to live in prison camps. The upper-division course immerses students in the growing online archive of primary source materials related to the experiences of Japanese Americans. It is co-taught by Umemoto, who directs the UCLA Asian American Studies Center, and public historian Brian Niiya, who earned a master’s in Asian American studies at UCLA.

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Umemoto on Japanese Americans Tracing Family History

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Urban Planning Professor Karen Umemoto spoke to the Chicago Tribune about third- and fourth-generation Japanese Americans’ resurgent interest in the internment of their ancestors during World War II. Umemoto went on her own pilgrimage to what remains of Manzanar, the camp where her father was held. “Any Japanese American who saw and understands what our parents and grandparents went through is left with a feeling that they don’t want to see anyone else go through that experience,” said Umemoto, director of the Asian American Studies Center at UCLA. “So when there is talk of Muslim bans, deportations based on race or ethnicity, or just the overall racial hatred being sown against immigrants … well, we know what terrible things that can lead to.” Umemoto said her visit made her father’s experience more real. “You feel how it might have been for the families who were put behind barbed wire with armed guards, not knowing when they could leave or what would happen to them,”  she said.

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‘Day of Remembrance’ Blends History and Activism Panel at UCLA Luskin marks 75 years since Japanese American internment camps by advocating resistance to modern-day efforts that target immigrant populations

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By Les Dunseith

Marking the passage of 75 years since a presidential executive order that led to the incarceration of Japanese Americans during World War II, the UCLA Luskin School of Public Affairs hosted a panel discussion on Feb. 23, 2017, that took place at a time when many U.S. citizens believe history is in danger of repeating itself.

Lisa Hasegawa, a UCLA Luskin Senior Fellow and an activist-in-residence, hosted the panel discussion at the UCLA Luskin School of Public Affairs. Photo by Les Dunseith

The session was opened by moderator Lisa Hasegawa, a UCLA Luskin Senior Fellow and one of two alumnae who are activists-in-residence on campus for the winter quarter. She told of her Japanese American family’s experience of being unjustly forced into internment camps in 1942. Hasegawa likened that long-ago situation to an executive order signed by President Donald Trump in January that sought to bar entry into the United States by immigrants from seven predominantly Muslim countries.

“All of us in different generations are trying to figure out how we learn the lessons from the past and figure out how we activate those lessons in our daily lives,” Hasegawa said of the correlation between these two historic and controversial presidential actions.

The desire for activism amid a political climate that many people find fearful was a dominant theme of the panel discussion, which included five activists and filmmakers. Several showed clips from documentary films and other video projects that they have helped create in response to the Trump administration and its efforts that seem to target minority populations, particularly Muslim Americans.

“When Trump got elected, it was definitely very devastating to the Muslim community. I think we were all in shock,” said panelist Tanzila “Taz” Ahmed MPP ’07, who co-hosts a popular podcast titled “#GoodMuslimBadMuslim.”

But Ahmed has since been heartened by the showings of support that have taken place at protest marches and rallies around the country, including a sit-in at LAX that united various ethnic communities in opposition to the immigration ban.

“It is super-powerful as a Muslim to go into these spaces and to see non-Muslim people of color coming together in solidarity,” Ahmed said.

The mass protests in January at Los Angeles International Airport were also the subject of a “rough cut” clip for a documentary film shown by panelist Tani Ikeda, a filmmaker and member of imMEDIAte Justice. Her video focuses on two women (one Muslim, one Japanese American) from a grassroots solidarity group known as Vigilant Love that helped organized the resistance effort at LAX.

Ikeda said her father, who had been incarcerated as a draft resister when he was young, inspired her involvement in political activism and her pursuit of filmmaking as a career. Ikeda said she struggled with frustrations about societal and educational hurdles related to her minority status when she was young, but her father advised her to find strength, not despair, in those moments.

“Everything that makes you different is what gives you this unique perspective on the world, and that’s so needed,” Ikeda said her father told her. “So start making art.”

Also joining the panel, which was sponsored by the UCLA Asian American Studies Center and the Institute on Inequality and Democracy at UCLA Luskin, was Sasha W. from the National Queer Asian Pacific Islander Alliance. She seeks to “redefine security” by helping more people understand why many U.S. residents, especially those at the margins of society, don’t always feel safe.

For example, she was recently involved in a project in which average U.S. citizens were approached on the streets under the pretext of an opinion survey, but then were asked the sorts of questions that someone being racially profiled would hear.

Two other filmmakers also joined the panel discussion. The team of Mustafa Rony Zona and Koji Steven Sakai are working together on a documentary about the experiences of a young Muslim girl and her mother who recently relocated from Syria to Los Angeles. And they are in the development stage of a feature film about what might happen if new terrorist attacks sparked a modern-day effort to round up Muslim Americans in a manner similar to what happened to Japanese Americans during World War II.

They hope to make a film that would lead people to recognize the parallels of the internment of Japanese Americans 75 years ago and anti-immigration efforts today.

“Today it’s Muslim Americans, Arab Americans. But tomorrow we don’t know who it is,” Sakai said. “It’s not about Muslim Americans; it’s not about any other group. It’s not even about Japanese Americans. It’s just making sure it doesn’t happen to anybody, ever again.”